Set during the Cold War period in the 1980s, The Americans is the story of Elizabeth and Philip Jennings, two Soviet KGB officers posing as an American married couple in the suburbs of Washington D.C. and their neighbor, Stan Beeman, an FBI Counterintelligence agent.

The Valenzuela family live in Los Angeles in a multi-generational household. Lee and his mother Lucia differ on how to deal with the problems that arise including alcoholism, teenage rebellion and immigration difficulties.

A robbery is prevented by an undercover art dealer pretending to be a criminal. Edited from TV series, The Baron.

In 1306, Scottish King Robert the Bruce turns a defeated outlaw when his country is invaded. But before to free his sacred land, he must manage to regain his will to fight back and survive the persecution of those who want take his head and the English gold.

A two-way mirror with the lights switched off. Eyes are tracked and attentions are plotted as a fictitious audience follows the narrator’s orders. They are divided by the screen and, though they try, neither can see through to the other side. We can’t be sure if the bond they form is reciprocal or if the audience was ever even there to begin with.

The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.

The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.

"The Looking Glass Murders" is an obscure, shot on video, made for Scottish TV version of the mime improv play "Pierrot in Turquoise," which Lindsey Kemp and David Bowie first staged in 1967. Pierrot is a freaky mime who ventures into a mirror where he falls in love and rolls around with the equally grotesque Columbine. But when Columbine beds black stallion (in half-assless spandex) Harlequin, Pierrot's jealousy takes over and drives him to murder. Cloud watches over the proceedings from his perch (on a ladder!) and narrates in song. 　　"Weird" doesn't begin to describe this one. It begins and ends with a man playing piano, but no sound is emitted. The sparse production doesn't betray its theatrical roots -- there's a grand total of two sets and they make no attempt to disguise the fact they're thrown together on stages. While I've never found mimes as unsettling as most, the trio in this film are REALLY creepy. And although it has a short running time of 26 minutes, it's so tediously strange and surreal that it felt like it was three hours long. When it comes to films I'm a bit of a masochist, opting for the strange, bizarre and reviled, but this one was almost too weird for me.

Alice Kingsleigh returns to Underland and faces a new adventure in saving the Mad Hatter.

1973 BBC TV movie adaptation of the book by Lewis Carroll.